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Trent Bosch has been woodturning professionally for the past 18years. He began exploring the art of woodturning while pursuing a Fine Arts degree from Colorado State University. Since graduating, he has fully devoted his efforts into creating one of a kind sculptural woodturnings. He also has a love for teaching, sharing the knowledge and techniques he has developed freely with others. His work is displayed in numerous fine art galleries, the permanent collections of museums and craft centers as well as in many private collections worldwide. Trent has taught and demonstrated his techniques for turning and sculpting wood throughout the United States and abroad.www.trentbosch.comDemonstrations by Trent Bosch Vessels and Surfaces - Learn all the techniques that Trent goes through in the creation of a hollow form and ways to make the surface outstanding! From textures to colors to sandblasting and beyond - making this much more than just a hollow form demo. Sunburst Platter - See a platter turned from green wood, from start to finish. Then watch that platter be carved creating a sunburst pattern into the rim. Along the way, discussions about drying techniques, getting the cleanest cut possible to minimize sanding, how to develop new ideas and more. Decorating Utility Bowls - Learn how to rough turn a bowl from green wood, understand drying techniques including kiln drying and building your own kiln as well as very simple and basic techniques. Watch the returning of a dry bowl using specially ground tools to get as clean a cut as possible to cut down on sanding. Then take that bowl and discuss and use lots of different decorative techniques including: carving techniques, bleaching, dying, painting, burning, sand blasting, and surface textures. |
A production turner from Co Carlow, Glenn has been turning for over twenty years. He has gained an international reputation
for his unique approach to bowl production. Highly efficient at the lathe he produces large quantities of bowls and platters each year for
outlets worldwide. Glenn is invited annually to teach and demonstrate at major events around the world such as
Arrowmont,
Norwegian Woodturning cruise, and the Utah, AAW,
AWGB symposia to name just a few.
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From GILES GILSON: The Maker by Kevin Wallace - An excerpt: "Having gained prominence as a woodturner,
Gilson rejected the limitations of conformity and began painting over the wood, shocking many in the field. Initially
scolded by collectors and dropped by galleries, he is now considered the greatest influence on the painterly explorations
of a number of leading wood artists. Gilson further frustrated his critics by creating work that was neither made of wood or
lathe turned for exhibitions of turned wood objects. His Fiber Vases from the late 1980s showcase the weave of Fiberglas
using pearlescent colors, while exploring the relationships between ancient tradition and modern technology. These beautiful
works sent reverberations through the woodturning community, causing the artist to be viewed with some amount of suspicion
for his audacious individuality."
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Sharon has always had an affinity for wood in all its richness and warmth. Her current work incorporates designs based on
freeform Celtic knots and explores how the curving, undulating patterns can cross cultures, looking like something from nature or illustrate an
emotion. She enjoys designing the knots around what she finds in the wood and aspires to create harmony between form, grain and pattern.
Sharon wanted to explore something from her own Scottish Irish culture and to take knotwork in a new
direction. Rather than drawing, then burning, the knot
around the rim of a platter, she allows her designs to drift across the pieces and flow over the edges. Sharon uses simple bowl shapes, which
have been dyed and textured, as back drops on which to weave the designs.
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David is a full time artist working in Boulder, Colorado. A professional for more than 35 years, he has been woodworking
since childhood where he learned to love wood from his Grandfather, a builder of Adirondack Guide boats on Lake George, NY. Internationally
recognized for his innovative "basket illusion" series (turned wood burned and dyed to give the visual and tactile appearance of a woven form),
David exhibits his work in galleries in LA and Santa Fe as well as the finest art shows including SOFA- NY & Chicago, winning awards at the
Smithsonian Show, American Craft Expo, and "Best of Show" at Westchester. His work has been placed in several museums and found in private
collections throughout the world.
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A professional woodturner, Kurt enjoys the continuum of woodturning from making his own turning tools to photographing his
finished turnings. He keeps his turnings diverse in an effort to explore fully the craft and the medium. As frequent
demonstrator and instructor on all facets of woodturning, he particularly enjoys teaching tool
sharpening, workholding, and advanced penmaking. Kurt is a regular feature columnist for Woodturning
Design Magazine, one of the five Council Members of the Pen Makers Guild, past Chairman of the
Rochester Woodworkers Society, and a member of the Board of Directors of the
American Association of Woodturners.
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In 2002 Chris was introduced to wood turning and became fascinated with its form and technique and set out to learn the art.
His painting background helped him in the creative process as he started to experiment with colors in his work. This enabled him to be more creative
and develop his own signature style. This style can best be described as "Transformative Glazed Wood". Chris's inspiration comes from nature, music,
art, and history, each of which he has a fascination with. He strives to capture and interpret his visions of these in his work.
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David Lindow moved to Pennsylvania in 1988 to study theology. After two years of college master clockmaker Gerhard Hartwigs
asked him to help in the shop for the summer after which he apprenticed to Mr. Hartwigs for 5 years. The process of building handmade clock
movements gave him a deep love for machinery especially those antique pieces that had not only function but intrinsic beauty. Almost by accident
he fell into a rose engine lathe in bad need of restoration and fell in love not only with the equipment but what it could produce. Seeing that
these incredible machines had not been manufactured in decades used his shop and tools to re-introduce them to the market. Since the introduction
this lathe in 2006 he has worked incessantly developing tooling and accessories for the rose engine and has become thoroughly addicted to the entire
art form of ornamental turning regardless of what type of machine or its origin.
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Matt, a local turner from Poughkeepsie, started turning in 2001. After experiencing several "heart-stopping" incidents, he
enrolled in a class with David Ellsworth. That decision set him on a distinct path in woodturning. Today, he pursues the idea that turning
is a dialogue with the wood. Ellsworth taught him that cutting and shaping a block of wood should be a collaboration with it in order to get an
optimum result. Matt has since studied with Keith Tompkins, Binh Pho, and Ray Key. Currently, his output is eclectic. However, the majority of
his turnings are medium sized and small hollow forms. After turning, he sets them aside for several months and then modifies them by using a mix
of surface embellishment techniques (carving, piercing, pyrography, air brushing, etc. He believes that, the basic turning really has got to be
really well done. Only then do surface embellishments actually add to the beauty of the piece.
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Joseph M. Herrmann is an award winning, retired Industrial Arts teacher, who taught high school woodworking in a small rural
school in Northeast Ohio for thirty years. Joe exhibited at major craft shows on the East coast, Ohio, and Michigan for more than ten years, and
is a published author, having written articles for "Fine Woodworking" and
"The Woodworker's Journal" and
"Creative Woodworks and Crafts." Currently, he is the editor for "Woodturning Design" magazine.
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Peter is a professional Metal Spinner that owns Lovallo Metal Spinning. He has been Spinning since 1979 and started his
own shop in 1995. His shop produces parts for the Lighting industry and is production oriented. Peter is also an amateur woodworker that
enjoys woodturning.
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